Nights In

Savages

Submitted by skylarkingmatt on 23 May 2013 - 7:30pm

What's it called?:

Silence Yourself

What does it sound like?:

Every now and again, this middle-aged male needs to ween himself off his Singer Songwriter and XTC albums. Enter stage left Savages- a London four piece described by the NME as "frottage-inducingly intense". The dreaded "Post Punk Revival" tag has been applied to them, and there is a jaggedness to their sound that transports you back to that bygone age. But I am very taken with Jehnny Beth's voice, that finds the right balance between angst and tenderness. Highlights include brooding opener Shut Up and the quite terrifying Husbands. There is also a clarinet solo on the closing track-which is always nice.

What does it all *mean*?:

Attitude and commitment count for a lot in new music, but a healthy dose of craft does not go amiss. You will find all of these here- its a real adrenaline rush of a record.

Goes well with …:

Being stuck in traffic jams in South London. Play it loud enough and it will even drown out that squeaky clutch pedal that has been driving you round the bend for the last week........

Might suit people who like …:

"The Female Joy Division" is a phrase I have heard several times. They may have a point. Admirers of PJ Harvey and early Siouxsie & The Banshees may fund much to enjoy here too.

Daft Punk

Submitted by minibreakfast on 22 May 2013 - 12:38pm

What's it called?:

Random Access Memories

What does it sound like?:

Once you get over the initial shock/disappointment of the difference in tempo and intensity between this opinion-splitting LP and the three Daft Punk studio albums that preceded it, something happens that today seems rare and special. You fall in love. You become obsessed. You want nothing but to become enveloped in this 74-minute lounge-funk, soft-rock disco love-letter, with its beats, breaks, horns, strings, spaceships, processed vocals and the beating heart of the whole thing: love. Critics may have a point when they say some of the tracks are over-long. 'Motherboard' and 'Game of Love' do plod towards the end and would benefit from some editing, but it's the longest song here, 'Giorgio by Moroder' that seems to end too soon, just as its kitchen-sink final movement really gets going.

What does it all *mean*?:

Even robots can feel.

Goes well with …:

Headphones or big speakers.

Might suit people who like …:

'Albums', sad robots, gettin' down with it.

John Murry

Submitted by tiggerlion on 21 May 2013 - 9:51pm

What's it called?:

The Graceless Age.

What does it sound like?:

Murry has a honey-smooth, wise, soulful voice with the intensity of Bruce Springsteen and the gravitas of Mark Lanegan. This is a brave and deeply personal album that exposes the blood & guts of Murry's life; the drug addiction, the arrests, the dysfunctional relationships, the near-death experiences, even his mother's thoughts on his birth. One can feel the pain staked as each note builds on another to become a melody. The music drags the listener at a relentless, stately pace through Murry's psyche, spiced with a touch of fuzz guitar here and a country flavour there. Murry rages, he grieves, he dreams, he laments. This album is both ugly and beautiful. It is an engrossing hymn to human frailty and our ability to survive. John Murry is thirty-four years of age.

What does it all *mean*?:

Sometimes, an album comes along that tells you everything you need to know. Murry is brutal in his honesty. There is no need to read his back story. This album pulls us to the edge of life, so we don't have to live there ourselves.

Goes well with …:

Hugging your children close. But don't let them listen. It could give them nightmares.

Might suit people who like …:

This makes up a life-enriching trilogy with Bill Fay's Life Is People & Matthew E White's Big Inner, both of which are equally even-paced if more spiritual. However its real soul-mate, lyrically at least, is Mark Lanegan Band's Blues Funeral.

Dawes

Submitted by SteveT on 21 May 2013 - 9:21pm

What's it called?:

Stories don't end.

What does it sound like?:

Not content with writing my favourite song of the last decade (A little bit of everything) on previous album this wonderful band have just released a cracking album. Not sure it is officially released here just yet - I was fortunate to pick it up in the USA last week. The band are now playing with a confidence and exuberance that was perhaps lacking from the previous albums as good as they were. It is almost as if the success has allowed them to take a freer approach. The lyrics are as articulate as ever but the playing is looser and the number of short guitar solos throughout this set are a joy as are their harmonies. I really believe this band will be around for a long time and they have excellent potential. 12 Tracks - hard to pick standouts but I would go for the ballad Just my luck and the jauntier Someone Will that follows it.

What does it all *mean*?:

Bands making quality music are still around and Taylor Goldsmith has certainly learned the art of songcraft - lyrics as good as his deserve a wide audience.

Goes well with …:

Driving, relaxing, reflecting - not a band to dance to, they are far more cerebral.

Might suit people who like …:

There is no denying the Jackson Browne influence and he is yet again name checked in the liner notes. However I have played this half a dozen times this week and the construction of the songs also recalls Fountains of Wayne.

The Records Tribute

Submitted by Nogbad on 21 May 2013 - 12:32pm

What's it called?:

Starry Eyed

What does it sound like?:

Sounds utterly fab and groovy, the jangleometer is set to stratospheric as 20 acts doff their rickenbackers to the songs of Will Birch and John Wicks. Most are reasonably faithful to the original recordings, but some offer a different tack without losing the charm of the source material. Hooks, lines and singers ! ( Sorry !) If you know and love Starry Eyes, Teenarama, Girl in the Golden disc etc, you'll like this. If you don't know them, go and have a look / listen.

What does it all *mean*?:

Good pop songs have genuine longevity. Available from zerohour records in Australia, check the website and the youtube previews.

Goes well with …:

The gardening.

Might suit people who like …:

A chorus which you can remember and hum on the bus.

Edwyn Collins

Submitted by Lando Cakes on 19 May 2013 - 1:34pm

What's it called?:

Understated

What does it sound like?:

I've been playing this album for a couple of months now and it passes a crucial test: I find its tunes, hooks and snatches of lyrics popping into my head throughout the day. If you like jangly, tuneful pop then step right on up. It begins with a single chord, Hard Day's Night style, then a clatter of drums (really, does that *ever* go wrong as an intro) and into Dilemna. From then until the closing Love's Been Good to Me, this record does not put a foot wrong. Instrumentally, aside from the aforementioned guitar there are some lovely organ and the odd bit of strings/trumpet etc. Right up in the mix though is The Voice. Still a thing of idiosyncratic beauty, there are no obvious signs of his stroke. There are hints aplenty in the lyrics though: "I got art to ease the pain", "What the heck, I'm living now", "That awkward sense of being me". Many more. This is the sound of a man transcending the limitations of his body by making a glorious noise.

What does it all *mean*?:

It's a great pop album: it moves the body. It also moves the heart and the head. There not many people who can tick all of those boxes at once.

Goes well with …:

Shuffling about my wooden floor in my socks. Not an image you wanted but there it is.

Might suit people who like …:

Tuneful music with a bit of depth.

Atoms For Peace

Submitted by badger_king on 17 May 2013 - 5:28pm

What's it called?:

Amok

What does it sound like?:

Surprisingly enough, this sounds like Thom Yorke's other album, The Eraser. Full of skittish beats, guitar and keyboard loops, analog synths, and Thom's ethereal crooning over the top. One Direction this is not. More beat driven than its predecessor The Eraser, Amok runs the risk of being just an outlet for Thom Yorke's songs deemed too unfriendly for use in Radiohead, but even in the beats, it would seem that humanity and sense of technology alienating us comes through. Ironic for an album influenced by pioneering techno and electronica, but that's what it is. Like Radiohead's TKOL from 2011, this is very much an album of electronic music crafted by humans, focussing more on crafting drum loops with a drummer and percussionist than with a laptop. Standout tracks "Default" and "Ingenue" use Thom's voice at the centre, crafting increasingly paranoid soundscapes around him as Nigel Godrich weaves his magic. Not an album to be played near sharp objects.

What does it all *mean*?:

It means that Thom Yorke can continue to make dance music like his favourites Modeselektor whilst retaining the human touch from his day job. This is dance music created for the mind and designed for the movement of the pelvis.

Goes well with …:

Strobe lighting, weird dance moves and a pony tail apparently

Might suit people who like …:

Thom Yorke, Radiohead, Modeselektor, Four Tet, Apparat, Autechre, Milieu, Burial

Vampire Weekend

Submitted by tiggerlion on 15 May 2013 - 10:23pm

What's it called?:

Modern Vampires of the City

What does it sound like?:

Like many a noughtie band, VW emerged bright, sharp and full of beans in search of fun. They stood out from the crowd with their African beats and their love of punctuation. They were college boys who were so desperate to attract girls, they were willing to dance. Now, approaching thirty, they are on their third album. Modern Vampires of the City sounds like a mature band who appreciate space as much as noise, who judiciously deploy every note and beat. There are delicate subtleties in the details; heavenly choruses, neat guitar figures, ripples of percussion. The songs have plenty of air to breathe but are constructed with great care. Their natural verbosity is reined in and their exuberance is controlled. The result is a greater emotional depth and a broader range of style. The themes explored may be more serious but they still retain a sense of glee. These boys are in for the long haul. I'm looking forward to listening to them with my gandchildren when I'm in my sixties.

What does it all *mean*?:

Young 'guitar' bands have a future, after all. Funnily enough, the drummer is a key 'driver' of this band, writing and producing, just like the drummer in Spoon. This is the era of the calm, sensible drummer and these bands are the better for it.

Goes well with …:

It's a sociable album that mixes with wine & nibbles. A polished floor with plenty of room because you still will feel the urge to shuffle your feet. New shoes may be required. In the end, head-phones are necessary to fully appreciate its charms.

Might suit people who like …:

to smile but don't mind being made to face their mortality (it does get serious). There is a song called Hannah Hunt which is light & frivolous at first glance but has a dark core. Perfect for Afterworders looking for a young, modern classic.

Stumbleine

Submitted by badger_king on 15 May 2013 - 3:11pm

What's it called?:

Sunshine Girls

What does it sound like?:

Supposedly the sound of summer 2013, Sunshine Girls is a unique blend of sampled vocals, ambient textures, glitches and post-Burial beats. The Beach Boys this is not. For as little as £4 from the artist's Bandcamp page, this 8 track EP creates a warm fuzzy glow for your ears, creating a sort of Instagrammed snapshot of modern music - discreet, hipsterish and heavily filtered, it evokes an image of a park in a heavily stylized 1970s. Ostensibly this is part of the new wave of chillwave (or "glo-fi" apparently), where post-everything music combines, what this means in reality is that the dreamy tones drift together into a beautifully hazy fuzz. Tracks such as the sublime "More Than Words" or the more beat-driven "Tremolo" often evoke the more ambient tracks on Burial's second album "Untrue", although with more of a hazy summer afternoon than a late night London bus in mind. A year on from the EP's initial release, and it is a record that has never seemed more "now". Strongly recommended.

What does it all *mean*?:

It means that there are still genres to have a post- in front of their name. Post-chillwave? Glo-fi? Whatever it wants to be called, this is very much the sound of now from a very exciting new UK producer.

Goes well with …:

Sunshine, nature, light beer and maybe a beach chair. This is a record designed for the summer. However, due to similarities to the post-dubstep stylings of Burial, this also goes well with night time and the rain.

Might suit people who like …:

Burial, Lake Radio, IG88, Salem, Sun Glitters, Balam Acab, The Aloof

Public Service Broadcasting

Submitted by bogl on 11 May 2013 - 5:37pm

What's it called?:

Inform - Educate - Entertain

What does it sound like?:

Take archive audio, add a large dash of NEU! and electronica, and you have one affecting and moving album. More hooks than Robson Green's tackle box are deployed to support audio from British and American public information films and movies. Many of the tracks will be well-known to 6 Music listeners, including the current single Signal 30, which manages to make road safety amusing and terrifying at the same time. I particularly enjoy Lit Up (music and narrator alike can be described as such!), Everest and The Now Generation, perhaps the lightest track of the album. The last track is a bit downbeat but overall an album I think most Afterworders would enjoy.

What does it all *mean*?:

Retrofuturism has been with us for a while, and PSB do share something with Kraftwerk in that respect, as well as occasional similarities in sound. I look forward to seeing them live next week in their corduroy stage outfits.

Goes well with …:

Gets me pumped up during the walk to work. There is a certain amount of Boy's Own-style derring-do which gets the adrenaline going for...my call-centre training.

Might suit people who like …:

"Krautrock" and instrumentals with a message.

87 tracks of unusual music for $10.

Submitted by Mike_H on 5 May 2013 - 9:17pm

What's it called?:

... and darkness came

What does it sound like?:

The sort of stuff you'd hear on a "Headphone Commute" podcast (being as that's who compiled it), i.e. spacy, spooky, ambient-ish stuff. Some made with conventional acoustic/electric instruments and some electronic and/or found sounds. Also mixtures of all the above. I love it.

What does it all *mean*?:

A fund-raiser to keep the Headphone Commute site and podcasts going. At that price and given the quality of their podcasts so far it's got to be worth a punt... Downloadable from http://headphonecommute.bandcamp.com/ in flac or mp3 form

Goes well with …:

Bank holiday weekend Sunday evenings and this 2010 Fitou I'm drinking while waiting for my fish pie to bake.

Might suit people who like …:

The sort of music discussed in the Electronic Music 2013 thread a little while back.

The Phoenix Foundation

Submitted by Burt Kocain on 30 April 2013 - 11:33am

What's it called?:

Fandango

What does it sound like?:

It sounds like everyone in the anty-podes is on rather good drugs, is what it sounds like. "Is it psych, Burt?" I hear you ask in your patronising, whining, disinterested way. Well, yes and no. What makes these guys rather special is the seamless incorporation of sounds and styles from the sixties right up to, well, the eighties. There's some beats and bleeps here that sound almost contemporary. It's all very, very melodic, softly sung, song-based. It's effectively what we used to call a double album (a CD, for younger readers), but I've managed a couple of straight-through listens without my attention wandering off into the bushes for a smoke. Hmmm. It's all really rather good. There's a couple of instry-mentals, which slip down a treat, and an epic final track that floats you off somewhere nice. I'm getting dandelion seeds blown on gossamer vespers, stained glass windows underwater ... I'm getting hints of mint and licorice ... how many characters do I have left? Twenty two? Nine? Th

What does it all *mean*?:

It means I'll be combat-crawling through the undergrowth for their earlier albums, which I unaccountably missed. I mean, Mojo lives down there with the kookaburras, doesn't he? Shouldn't he be alerting us to all this fantastic music? Seventeen charac

Goes well with …:

The Church, The Moffs, Belles Will Ring, Tame Impala ... no way am I going to fill this box. A hundred and fifty seven characters left? No, wait - a hundred and six? Eighty five? This is driving me nuts. Forty seven, then. Twenty eight characters lef

Might suit people who like …:

Really fab outtasite music. Drugs. Stereo headphones. Right, that's it. That's your lot. Bloody cheek, you ask me. And it's taken, like, forever to make that smudgy little cover image acceptable to the Neo-Con fascist lizards running this blog, the f

Steve Earle's Low Highway

Submitted by Junior Wells on 30 April 2013 - 5:52am

What's it called?:

The Low Highway

What does it sound like?:

Was a bit meh when I first played it wondering whether, like a mate had said ,that I was also "over Steve" .After all I've got a heck of a lot of his stuff. So I went the old fashioned route- knocked back a few drinks, turned it up loud and put it on repeat. Verdict - Steve's back .Back in a real studio ,back with his old producer, back with Will Rigby and Kelly Looney in the band.It's got that raw raunchy fuzz guitar sound that drove along that clutch of records that ended with Transcendental Blues.Check out Calico County. It also features 3 tracks co-written with the violinist in the TV series Treme, Lucia Micarelli. The country ballads are good too, including the opening title song and the song to his son/s "Remember Me. A review on the weekend said it well "there's a familiarity to this stuff that at first disguises just how good it is". I hardly played Washington Serenade and Townes -this one is on high rotation.

What does it all *mean*?:

It means Steve is better off in a studio ,with a producer and with the Dukes. Bring on a full band tour.

Goes well with …:

A pumped up stereo and a few drinks

Might suit people who like …:

alt country and a bit of sour with their sweet

Jess Roden

Submitted by Vulpes Vulpes on 27 April 2013 - 3:06pm

What's it called?:

Hidden Masters 6 CD Set

What does it sound like?:

In these days of retrospective worship for many of the old-school blue eyed soul and country rock artists basking in the rediscovered Americana glow of recent years, it's hard, upon encountering an artist who excels in that sphere, who can also belt out a great pop-psyche ditty, and casually carries muscular rock singing proudly into "hear every syllable" territory, to fathom his relative obscurity amongst today's musical enthusiasts. If you got to the end of that sentence you'll know that I think Jess Roden will be a true revelation to many who hear his work for the first time following the release of this outstanding retrospective set. The breadth of musicians scattered across these six discs is astonishing; Art Neville, Robbie Kreiger, John Densmore, Alan Toussaint, Paul Kossoff, Jaki Whitren, and the list goes on. If you appreciate finely sung, beautifully played rock and soul, and if you love to hear a band playing live who really have a groove, get this and wallow in it.

What does it all *mean*?:

It means that thankfully there is a wealth of recorded music out there that relatively few of us have heard but which deserves a new audience to appreciate it, and it's not yet lost to the world while projects like this exist. Fill yer boots!

Goes well with …:

Single malts, good reds, good friends, low lights, long drives, lazy afternoons, early hours and slow baths. Not necessarily all at the same time.

Might suit people who like …:

Boz Scaggs, Robert Palmer, Free, Garland Jeffreys, The Eagles, Ry Cooder, Lowell George, The Meters, The Isleys, Elton John, Crosby, Stills & Nash.

Bert Jansch & Various Artists

Submitted by mojoworking on 19 April 2013 - 8:46am

What's it called?:

Acoustic Routes

What does it sound like?:

Originally recorded in 1993 as the soundtrack to a BBC Scotland film about Bert and his contemporaries, this double CD edition accompanies an expanded DVD version of the film and features an entire disc of unreleased material. Just about everyone here is a nailed-on 60s folk legend and almost without exception they name Jansch as a major influence. While featuring heavily in the film John Renbourn did not appear on the original CD. That's now been rectified and the two Renbourn/Jansch guitar duets are highlights, as are unreleased tracks from Davey Graham and Anne Briggs. Brownie McGhee gets the lion's share of the new material with six songs, which seems like overkill at times. As always, Wizz Jones, Martin Carthy and Davey are essential listening, but this is Bert's party and he carries the show with some style. 20 years on and inevitably we've lost several of the main characters here. Not only Bert himself, but Davey, Brownie and Hamish Imlach have passed on too.

What does it all *mean*?:

What was originally a collection of contemporary tracks by the heroes of the UK 60s folk scene is now, two decades on, very much a look into the past.

Goes well with …:

Break out those classic 60s/70s albums by Pentangle, Martin Carthy, Davey Graham and, of course, Bert and John. This is acoustic folk blues guitar at its best.

Might suit people who like …:

See above. The original CD booklet carried nine closely-typed pages of sleeve notes from the Afterword's very own Colin H. There is no booklet with the new release, so those sleeve notes are seemingly lost forever. For shame!

Steve Mason

Submitted by Rigid Digit on 13 April 2013 - 7:50pm

What's it called?:

Monkey Minds In The Devils Times

What does it sound like?:

A collection of 9 songs, and 11 interludes/connectors between them, ensuring the listener remains engaged with the album. The album includes an eclectic mixture of sounds and styles, ranging from electronica, folk, rock, with added touches of Hip Hop, 1960s/70s four to the floor funk, and a highly effective 'Motown Soul meets Primal Scream' horn section. There is also an absolutely joyous and uplifting Gospel Chorus on "Lonely" Other stand-out tracks include: "A Lot Of Love", "Fight Them Back", "Come To Me" and the undoubtable high point (for me) "Oh My Lord". This is an album that has been thought about, carefully put together, and was a wonderfully immersive experience. In fact, I thought it was THAT good, when it finished I immediately played it again. It is now April 2013, approximately one third through the year, and I now own 2 albums (this one and David Bowie's "The Next Day") which are likley to be vying for the accolade 'Album Of The Year'

What does it all *mean*?:

The title is (apparently) a Buddhist term for 'easily distracted mind'. PR bumph says the album is: "shaped by the current global political climate and the lack of dissenting voices in music and popular culture in general"

Goes well with …:

Doing nothing and just relaxing This is an album that should be consumed in one go, not split up and consumed piece-meal. By the same token, the majority of the tracks work just as well outside the confines of the album.

Might suit people who like …:

Beta Band, Pink Floyd, Depeche Mode, John Grant

Emmylou Harris and Rodney Crowell

Submitted by SteveT on 29 March 2013 - 11:35am

What's it called?:

Old Yellow Moon

What does it sound like?:

Give this album time to breathe and you will be rewarded with abundant riches. It starts off with a couple of upbeat songs but then there are a couple of sublime ballads Spanish Dancer and the stunning Back when we were beautiful. There are times when the most distinctive female voice in country doesn't sound like the most distinctive female voice in country notably on Black Caffeine which sounds like it could be an outtake from Raising Sand. It is clear that Emmylou and Rodney are comfortable in their older bodies and gratifying that they are reaching out to our generation with this music.

What does it all *mean*?:

Played together 40 years ago and still friends and still have that almost telepathic understanding of where each others voices should be in the song. Emmylou is still the voice that other country ladies aspire to.

Goes well with …:

A quiet night in with someone close to snuggle up to. Not quite pipe and slippers music but very soothing.

Might suit people who like …:

Good singing. This and the Bonnie Prince Billy/Dawn McCarthy albums are similar in feel and highlights of what promises to be a very good year for new releases.

Palma Violets

Submitted by Rigid Digit on 24 March 2013 - 3:41pm

What's it called?:

180

What does it sound like?:

(Cliche Alert!) Latest band in a run of NME-backed Libertines pretenders (end Cliche Alert!). Stuffed full of energy and (importantly) tunes, even the lo-fi production can be forgiven on the strength of some of the songs. First listen indeed brings to mind the above mentioned cliche, but repeated listening brings out a wider range of influences and sounds. Ranging from Iggy Pop to The Doors, a smattering of Joy Division and a bit of a Richard Hawley-type vocal in places (albeit dressed up in an 80s-ish sound).

What does it all *mean*?:

There are some good songs on here, and the album certainly benefits from repeated listening, but it is not exactly earth shattering. Maybe a bit more time and a bit less hype and expectation will see the Palma Violets blossom.

Goes well with …:

Recently soundtracked Saturday morning washing-up and house-cleaning. Probably has other applications too.

Might suit people who like …:

Libertines (obviously), Vaccines, Courteeners, Everything Everything, Miles Kane

Wire

Submitted by Dr Volume on 20 March 2013 - 12:18am

What's it called?:

Change Becomes Us

What does it sound like?:

Having recorded 3 iconic post-punk LPs in the late 70s, Wire began work on the 4th but only got as far as playing the new songs at a series of audience baffling shows (captured on the notorious Live LP 'Document & Eyewitness') before imploding amid record company strife and good old fashioned musical differences. Fast forward to 2013 (via a fascinating on/off career and late period flourish) and Wire have revisited the unfinished tracks from that period, but this is far from dusting off old demo tapes or recreating the past. The songs have acted as a jumping off point for what is a magnificent, brand new record. There are spiky, urgent tracks that recall Wire at their best circa '154', some bouncy post-punk jerkiness, shiny 80s Wire pop, some hypnotic drones, lots of shouting, and lots of the almost proggy shimmering dreaminess that characterises their more recent work. New member Matt Simms adds some extra crunch and it all adds up to a record that stands up with their best.

What does it all *mean*?:

Lyrics range from vaguely unsettling to the wonderfully absurd. Sample lyric: "No stinking Butlin’s Ian, playing cupid an angina i.e. brine, night sown too inky, Heidi nil and eels sang (lino)". Beady Eye this ain't.

Goes well with …:

There are tracks like 'Magic Bullet' and 'Love Bends' that sit happily alongside Wire's poppermost tracks like 'Map Ref' and 'Kidney Bingos'. Yes it's that good. I can't think of another band of Wire's vintage still producing work as vital as this

Might suit people who like …:

Wire's last LP 'Red Barked Tree' caught the ears of many who may have given up on the band after their imperial phase. If you enjoyed that record you'll love this one, and if you only know the late 70s era Wire you really need to hear this.

Kevin Eldon

Submitted by bob on 18 March 2013 - 9:07pm

What's it called?:

It's Kevin

What does it sound like?:

It doesn't sound like anything. It's a television programme, you silly sausage. And it's really, really funny. Kevin has been a bit-player in other people's stuff for years - Big Train, Lee and Herring, St***** L**, among much else - and it's great to see him getting his own show. Especially when it's as daft, sweet and hilarious as this. Whimsical, sure, but with genuinely unexpected swerves and cheerily silly gags.

What does it all *mean*?:

MY WIFE DOESN'T UNDERSTAND ME. (In other words, she sat looking amusedly puzzled, or puzzledly amused, while I hooted and shouted and guffawed.)

Goes well with …:

A great big homemade burger. That's what I had with it, anyway.

Might suit people who like …:

Funny things.

David Bowie

Submitted by tiggerlion on 16 March 2013 - 8:13am

What's it called?:

The Next Day

What does it sound like?:

The PR has been genius. He's back from the dead! But is it any good? Of course it is, it's superb. This is a proper rock album. Its production is suffocatingly tight, the band sound as though they are fed on raw meat and Bowie, himself, is humming with energy. It is a classic guitar, bass, drums set-up with relatively few embellishments (Steve Elson's brooding, menacing baritone sax features on two tracks and a handful have strings, but Visconti strings, strings with purpose). There are a couple of 'ballads' and a few pure pop performances, [The Stars (Are Out Tonight)], otherwise, it's mean, moody, provocative & best played loud. The lyrical imagery is dark, mysterious and unsettling, full of death, violence and strange behaviour. Bowie sings them with relish and commitment, adapting his voice to each song wonderfully well. He hasn't sung this well for decades. The Next Day is confident, brazen & aggressive but, most of all, it's new and it's now!! I could listen to it for ever!

What does it all *mean*?:

Class is permanent. This is a true return to form. There are nods to the past but it's as though Bowie has come to terms with his imperial phase and has decided to do what he does best, now in the present. It sounds as though there's more to come.

Goes well with …:

His seventies albums. Seriously. The Next Day is easily as good as Lodger, Scary Monsters or, even, Diamond Dogs. The pervading mood reminds me of Outside without the silly chat & fussy production but The Next Day sits comfortably with his best.

Might suit people who like …:

The great thing about the comeback & the genius PR is that Bowie has an audience again. He has everyone's attention and people are taking notice. I hope some youngsters are listening because there is a dearth of great guitar rock at the moment.

Big Big Train

Submitted by Handsome P. Won... on 9 March 2013 - 1:02pm

What's it called?:

English Electric (Part 2)

What does it sound like?:

It's been New Prog Week chez Wonderful. First, it was the new Steven Wilson album 'The Raven That Refused To Sing (and Other Stories)'. I used to work with Steven when he was in IT Support in Hemel Hemstead and I buy his stuff because I think he might need the money (I know he's probably a millionaire by now, living in a superior detached in HH, but my contribution probably keeps him in crisps). Next it was the new Big Big Train album 'English Electric (Part 2)'. Part 1 was one of my surprise favourite albums of 2012 and my introduction to this release has followed the same pattern as the first. First listen -"My God this sounds like early Genesis, how do they get away with it?!". Second listen - "Actually, this does sound like Genesis, but it's not bad". Third listen - "This is really good, a bit like Genesis, but very contemporary". If you're into this sort of stuff (you don't need me to tell me whether you are or not) it's well worth £4.50 of your English pounds for the download.

What does it all *mean*?:

All it means is that the two English Electric albums appeal to old Prog fans looking for something to remind them of times when they had all their own hair.

Goes well with …:

Steven Wilson's 'The Raven That Refused To Sing (and Other Stories)' and the new Ólafur Arnalds album 'For Now I Am Winter', my other download this week

Might suit people who like …:

English Electric (Part 1), early Genesis, Marillion

My Bloody Valentine

Submitted by bob on 27 February 2013 - 10:25pm

What's it called?:

Loveless

What does it sound like?:

The Primal Scream thread made me go back to this record, which I haven't listened to in years and remember not loving. Hmm. Not sure what my ears were full of, because I remember thinking it was mimsy and fey and directionless. It is, of course, actually IMMENSE. Kevin Shields's queasy guitar swoops were what I'd remembered, but I'd forgotten the muscle underneath the wobble. From the moment "Only Shallow" roars in - and it does roar - I was hooked. Shields sounds like a man bowing a saw with a railway girder. "Loomer" churns nauseously, "To Here Knows When" is what the heavenly host would sound like if God had an imagination. After all that, the (nearly) pure pop of "When You Sleep" is like a sudden IV sugar hit, and "Blown A Wish" is surely the lost tape of Roger McGuinn stumbling into a well after nine tons of very fine refreshment. This is, in short, a remarkable record. Nothing sounds like it.

What does it all *mean*?:

Oh, who knows? The lyrics couldn't be less important, or more inaudible. But it's a very good argument for the transcendent power of pure sound.

Goes well with …:

Closed eyes.

Might suit people who like …:

Oh, who knows? MBV sound like MBV. Nothing sounds like this record, but everyone should own it.

Nick Cave & the Bad Seeds

Submitted by dogfacedboy on 20 February 2013 - 7:41pm

What's it called?:

Push the Sky Away

What does it sound like?:

Lazy journalist scum have said it sounds like 'The Boatman's Call', which makes you realise they have never heard 'The Boatman's Call'. I guess this is nearest to the sound on 'No More Shall We Part' but with the bluster removed. Much of the instrumentation is sparse bass, guitar and percussion. Cave sounds far more laid back and you expect him to suddenly roar into his arm waving preacher mode but that never happens. Of course the usual pet subjects of love, sex, death etc are on display as is his sense of humour. 'Mermaids' seems to describe his life in Brighton including 'I do drivers alertness test' resulting from his seafront prang (missis). The album fades out with funeral title track, Cave crooning away as an organ plays. Its a quite short album but it stays with you for a long time afterwards. The only niggle I have is that I can already hear this subtle stuff being yabbered over by idiots at the gigs this autumn. If you want to listen then I'd get there early and up close.

What does it all *mean*?:

That Cave may have blown out his noisy side with the excellent Grinderman and Dig Lazarus Dig album and gone for a looser and more reflective approach. Oh and the naked lady on the cover is his wife.

Goes well with …:

A late night drive through city streets full of burnt out cars and shuffling hobos - North London should do

Might suit people who like …:

Brooding middle aged men full of ennui and wasted love affairs.

Dawn McCarthy and Bonnie Prince Billy

Submitted by SteveT on 18 February 2013 - 9:48pm

What's it called?:

What the Brothers sang

What does it sound like?:

An album of Everly Brothers songs gloriously reinterpreted. Of the 13 songs on this album I was only familiar with 4 of them. I was therefore able to listen to the majority of the album without forming a comparison with the original material. Of those I knew already they do an absolutely magnificent job. BPB's voice has improved greatly over the years like a fine wine but I can honestly say I have never heard sing so well as on this collection. His harmonies with Dawn McCarthy are absolutely exquisite and with the exception of Emmylou and Gram I have rarely heard male and female voices work so well together. The accompanying music predominantly fiddle, mandolin and steel allows the songs to breathe and is a perfect foil.

What does it all *mean*?:

Classic 60's pop music given a 21st century makeover sounds like a recipe for MOR schmaltz but this album is anything but. Obviously a labour of love - songs that have influenced a great number of artists over the years given new life.

Goes well with …:

Periods of quiet reflection. This isn't rock and roll but enjoy it just the same.

Might suit people who like …:

There are not many male/female duos that can successfully blend like these two - Lanegan and Campbell maybe?

RT

Submitted by retropath2 on 15 February 2013 - 8:23am

What's it called?:

Electric

What does it sound like?:

Umm, don't quite know what to say. Yes, it's good, in fact it's very good. Indeed, and this is the rub, it is probably the best version yet of these songs that he has done. Most fit a standard Thompson template and will recall others. Overall it has the feel of Hand of Kindness era, clearly no bad thing, with possibly a better production, totally justifying Buddy Millers sympathetic ambience. Given the promo shove, what with breakfast time TV appearances, it could make an ideal entry for those new to him, should that actually ever happen, and maybe that's the point. I suspect (and hope) it will be a grower. The possible stand out is "Another Small Thing in Her Favour", another ballad to slot in alongside Beeswing and Vincent Black Lightning. It will be interesting to see how it all pans out live. (O, and it isn't all that Electric, should any old lags be fretting. And didn't hear much Folk-Funk as he's calling it.) Hell, guys, it's a bloody good record, just a but I can't quite catch.

What does it all *mean*?:

Sales? Accolades? Re-reading I feel a little guilty, damning this undoubtedly well crafted LP with such guardedness. Given he hasn't ever quite managed to issue an entire record without at least 1 clunker, could this be that one?

Goes well with …:

Probably with all the sort of stuff a good and devout moslem might espouse: I shall have a few beers before Symphony Hall next week, to arouse sufficient sense of maudlin joy to appreciate the overall texture.

Might suit people who like …:

Richard Thompson, clearly, but maybe more for those yet to dip into his catalogue. Jeez, all his die-hards will buy it anyway and regardless. He remains pretty unique, being his only influence and only copyist.

Ron Sexsmith

Submitted by Alan33 on 10 February 2013 - 7:14pm

What's it called?:

Forever Endeavour

What does it sound like?:

A typical Ron Sexsmith album,although the production has been stripped right back compared to his last album.As with all Ron's albums it takes a good few listens before you "get it",as it always sounds a bit samey the first time you listen.But when you do "get it " it's wonderful.The first track,Nowhere To Go,sets the tone with its French Horn and beautiful strings.What follows is a masterclass in songwriting.Great melodies with perfect arrangements sung in Ron's inimitable way.The two bonus tracks,Life After a Broken Heart and Autumn Light have lyrics by the great Don Black.Wonderful stuff!

What does it all *mean*?:

It means that Ron is one of the best singer/songwriters out there,even if he isn't a household name.

Goes well with …:

A nice glass of red,or a chilled bottle of beer.I usually listen with my headphones on laying on the settee with the lights off.Total relaxation.

Might suit people who like …:

I like my rock music and I like it loud,but sometimes you just have to put some Ron Sexsmith on to just appreciate some quiet and delicate music for a change.

My Bloody Valentine

Submitted by Dr Volume on 4 February 2013 - 12:19am

What's it called?:

m b v

What does it sound like?:

After 22 years of endless speculation, and bands approximating what this record might sound like I was almost scared to listen. 'Loveless' was my generation's 'Velvet Underground & Nico' and it's churning psychedelia is all over alternative rock and electronic music. The songs are looser, and in a way more eerie and odd than 'Loveless'. 'She found now' is an understated, drumless opener with a beautiful melody and cooing vocal duet under sheets of guitar. 'new you' is a crisp Pop song in the vein of 'Soon'. 'wonder 2' sounds like you're listening on an 80s Walkman while strapped to a jet engine. This album is all about teasing you with buried melodic riffs, unexpected chord changes, disorientating shifts of loudness and is full of odd little details that make you want to play it again. This might not be the game changer (few bands have more than one of those in them, MBV have already made 2), but it is ultimately a fantastic record that I think I'm going to listen to an awful lot.

What does it all *mean*?:

Considering the long 'lead' time on this one, everything around this release feels rushed and half finished, the flaky website, the sketchy artwork and song titles that look like working titles. Fortunately the music is sublime, intense and thrilling

Goes well with …:

Its not often I make time to sit and listen properly to a record, I'm usually on the web or reading or on a train. This one requires a proper lights off, headphones on, immersive listen..and play it loud (preferably not while operating machinery)

Might suit people who like …:

My Bloody Valentine and the hundreds of artists and bands who have taken their disorientating and uncompromising approach to combining noise and melody in all manner of wonderful directions in the intervening 22 years.

The Dutch Uncles

Submitted by Dr Volume on 13 January 2013 - 12:25am

What's it called?:

Out of Touch In The Wild

What does it sound like?:

Dutch Uncles are often accused of being a Manchester band. In fact they're from the nearby semi-rural town of Marple. In this sleepier locale, it sounds like they've had time to soak up some far more interesting influences than the Gallagher brothers did. They specialise in a curious mixture of influences which takes in the widescreen vision of Kate Bush, 90s Math Rock, the quirkier end of Prog, XTC's later works, but all underpinned by a Pop sensibility which keeps things tight, melodic and direct..there is no aimless noodling or showy soloing here. This new LP is less guitar led previous work, Piano is to the fore, and they add lush strings and hypnotic Steve Reich Xylophones to the mix, but the rhythms section is still as propulsive and driving as ever. It's perhaps less immediate, and has more space in it than the giddy rush of previous LP 'Cadenza', but that's a good sign of an album that will stand up to repeat plays and reveals it's secrets the more you listen to it.

What does it all *mean*?:

They're the type of band that if you 'get', you'll be waxing lyrical about them to your friends and trying to persuade them to get into it too. They have that affect on people. Don't miss out!

Goes well with …:

Their previous two LPs which are both well worth seeking out, particularly 'Cadenza', and make sure you catch them live and see them throwing some shapes.

Might suit people who like …:

They don't really sound like anyone else but you can draw parallels with Field Music, Everything Everything, Talk Talk, Steve Reich, Gentle Giant, Kate Bush, late period XTC, Genesis, Peter Gabriel.

The Green Pajamas

Submitted by Burt Kocain on 3 January 2013 - 3:55am

What's it called?:

Death By Misadventure

What does it sound like?:

Everything you wanted, all at once, with a Cadbury's Flake stuck in the top. If you know who the Jammies are, then you'll hie yourself to the market to grab yourself a copy toot sweet, because you are a person of extraordinary refinement. If all this means nothing to you, this is your opportunity to sneak on board the bandwagon going nowhere while no-one is looking. The Jammies have been releasing beautiful, crafted, weird, melancholic music since the Crusades without creating so much as a ripple in the space-time continuum. This one is - but you're way ahead of me - a concept album about life in a bee colony. Here's a lyric from ‘The Queen Bee’s Last Tango’: “She strips off her girdle, slips off her swastika ring/While seventeen boys dressed up as dolls and toys blow the king/In the opium fog, the prince and his dog start to sing/And there’s no sense of the sorrow to befall them all tomorrow.” So there you have it. Or should. Dense, lush, deep and dark. Dive into the hive.

What does it all *mean*?:

It means the Jammies are still alive and humming. Like (and yet not so like) the Shoes and the dB's. Chapeaux!

Goes well with …:

Velvet waistcoat, fez, hookah pipe.

Might suit people who like …:

this sort of thing.

The Prodigy

Submitted by daddyclark on 30 December 2012 - 9:34pm

What's it called?:

Music For The Jilted Generation

What does it sound like?:

The sound of my lost youth, rage, optimism and a can't care less attitude wrapped up in pounding basslines, samples and protest against the governments crack down on rave culture. I was never a raver but this was dance music for indie kids, the first dance music I owned, one of the few records I remember buying. This was the dance record that proved electronic music and dance culture was not all about getting e'd up and waving your hands in the air.It marks the crossing over of rock and dance, featuring guitar riffs and Pop will Eat itself providing vocals on "Their Law" which slowly builds and builds to the pretty unambiguous "F**k em and their law". "Voodoo People" and "No Good" make you want to want to throw your hands in the air, "3 kilos" is more blissed out. I've considered writing this review for about 6 months now, knowing I couldn't do it justice in words. It deserves to be listened to.

What does it all *mean*?:

Everything and nothing. At a basic level it makes you want to dance around like a lunatic on a more thoughtful level it is a statement of intent that rave culture was not going to be defeated. One of the most important albums of the last 20 years

Goes well with …:

Cars. Cheap ones with relatively expensive stereos and sub woofers and delusions of being hot hatches. That's how I originally listened anyway and still do, the perfect antidote to a crap day, driving home, to remind yourself that you're still alive.

Might suit people who like …:

Chemical Brothers, Underworld and Metallica and I'm not being flippant maybe the Mahavishnu Orchestra for the wilful dischordancy and experimental soundscapes.

Chris Barber.....

Submitted by retropath2 on 5 December 2012 - 8:56am

What's it called?:

Drat That Fratle Rat

What does it sound like?:

Like very little else. OK, I know Van rates him and all that, but the look has never really helped, along with the lazy tendencies to lump in with Kenny Ball and Acker, but, Jeez, what an ear-opener. If I had been told this was Trombone Shorty or some such current, I would have honestly believed and accepted that. Unreconstructed brassy blues,OK, a bit jazzy, but in an older sense than bepobbery, with a host of unexpecteds making an appearance, from Rory Gallagher to Brian (Gryphon!) Gulland. Made in 1971, this is incredible stuff. Fusion, it ain't, and could have been made 30 years earlier as well as 30 years later. Please, please blow away any misconceptions. Listen to this. Today

What does it all *mean*?:

Hype and image are meaningless. Why has this man not been knighted?

Goes well with …:

I guess it ought to go well with beer, but, counter-intuitively, let me suggest a tumbler of Shiraz, a thai takeway and your own company. Shouldn't take too long.

Might suit people who like …:

As I explore these lesser travelled routes, may I commend "Red Hot from Alex" as a companion piece, from the late lamented Alexis Korner.

The North Sea Scrolls

Submitted by dogfacedboy on 20 November 2012 - 7:35pm

What's it called?:

The North Sea Scrolls

What does it sound like?:

Well how much you enjoy this album will depend on your acceptance of Luke Haines as a grumpy reluctant musician and self proclaimed genius. I'm very much on the upswing with that. A collaboration with Cathal Coughlan (who takes lead vocals on alternate songs) & Andrew Mueller - the themes are varied and strange. In 'Broadmoor Blues Delta' Jimmy Savile as Lucifer (the song was written last year before all the nastiness) fixes it for Princess Anne's attempted abductor, Ian Ball, to swap places with similarly named Gomez singer. In 'I am Falconetti' DJ Chris Evans is burnt at the stake for his crimes but believes he has become the living spirit of the lead actress in Carl Dreyer's Passion of Joan of Arc. In other songs, Joe Meek is a member of parliament as the cast of On The Buses compete against Oswald Mosley's blackshirts in an episode of 'Its A Knockout' as poet laureate Enoch Powell looks on from space. Its like a dark trip through Haines' soul with plenty of laughs on the way

What does it all *mean*?:

Fucks knows! Tales of violent bands of Morris dancers, bit part actor Tony Allen is cast as great mover and shaker in history influencing the lives of Sid James and Peter Green & the history of Ireland is examined via an IRA atrocity tribute band.

Goes well with …:

A dry sense of humour and a love of the beautiful and strange. A knowledge of the 1970's pop culture and high culture may help. This is history making stuff ie history is being remade and reimagined before your very lugholes.

Might suit people who like …:

The North Sea Scrolls is an absolute treat for those who love outsider pop and a little bit of art with their pop. Haines delivers the songs in his usual rasping style, Cathal Coughlan is like his full throated alter ego on piano - they are one.

Josephine

Submitted by John Mc on 3 November 2012 - 10:56am

What's it called?:

Portrait

What does it sound like?:

Beautifully sung sympathetically produced organic soul music. This album has been attracting very good reviews from many sources. This is her debut album, she's from Manchester. OK - I'm being lazy, but this BBC review says it all. http://www.bbc.co.uk/music/reviews/rxb6

What does it all *mean*?:

There are singers out there you don't know who have more talent in their little fingers than all the "remarkable artists" on X factor put together.

Goes well with …:

Headphones!

Might suit people who like …:

Real music that doesn't rely on 'beats' and recycled Ibiza synth riffs - and I suspect that means most of us!

Gary Moore

Submitted by mojoworking on 29 October 2012 - 12:05am

What's it called?:

Blues For Jimi

What does it sound like?:

Gary Moore was a hell of a guitarist, of that there is no doubt. Subtlety was not his forte, however. He never used one note where 15 would do and his playing style always teetered on the eardrum-shredding edge of heavy metal bombast. All of which is testament to the music of Jimi Hendrix – 40 years on these songs can easily withstand a no holds barred assault and still come up sounding as timeless as ever. Recorded in 2007 with a hand-picked rhythm section (including, on some tracks, Mitch Mitchell and Billy Cox) this is a note-perfect, if sometimes brutal, romp through Jimi’s best-known work. Moore is at his most enjoyable when he steps off the gas a little and pick of the bunch here is “The Wind Cries Mary”, “Angel” and an extended “Red House”, all of which contain a little light and shade. Otherwise the Marshalls are turned up to eleven all the way as he wrings every last nuance out of “Foxy Lady”. “Fire” and an astounding “Voodoo Child”. Guitar fans will lap this up.

What does it all *mean*?:

Tribute projects like this are all very well, but they are best, um, experienced live in person. I wonder if "Blues For Jimi" would have been released had Gary still been alive? As so often these days, there's a stand-alone DVD available, too.

Goes well with …:

With the success of Joe Bonamassa, 60s blues rock is very much back in vogue and this sits perfectly alongside anything else in the genre. Make no mistake though, these are proper songs and not just vehicles for Moore's guitar excursions.

Might suit people who like …:

ZZ Top, Stevie Ray Vaughan, Joe Bonamassa, Clapton at his heaviest and, er, Jimi Hendrix. Pity about the "will this do?" cover artwork, though.

Spirit

Submitted by Twang on 12 October 2012 - 3:59pm

What's it called?:

Future Games

What does it sound like?:

Slightly bonkers. There are 22 tracks glued together with an insane mix of samples from the Muppets, Star Trek, US radio, film soundtracks, Abbott and Costello, Tarzan, old records, random ambient sounds...it's pretty trippy but there are lots of tunes, and wonderful textures courtesy Randy California's guitar, analogue synths and layers of harmony vocals. There's a terrific version of "All along the watchtower" which rivals Randy's old guitar teacher Jimi's version. Apparently Randy was on a mission and most of it is him with some odd contributions from the band.

What does it all *mean*?:

Who knows. It appears to be about looking back on easier and more certain times and out to the future with trepidation. The end of the hippy dream maybe? It came out in 1977 so it was all over by then anyway. It didn't sell, naturally.

Goes well with …:

Anything really. A spliff and headphones of course. Happy daze and late nights is what this album says to me, but I just listened to it whilst working and it still sounds great.

Might suit people who like …:

Hard to say. It's not hard rocking, it's not folky, it's not prog. It is unique. People who like something whimsical, fun and trippy will like it. You can't dance to it. It's a feel good chill out treat.

Diana Krall

Submitted by TheArtfulBlogger on 10 October 2012 - 7:04pm

What's it called?:

Glad Rag Doll

What does it sound like?:

Any fans of T Bone Burnett’s production techniques will adore this album. Loaded with new interpretations of songs from the 1920’s & 30’s, it combines country, jazz and vaudeville into one atmospheric dose of old time Americana. I’ve always appreciated Diana Krall’s work without particularly enjoying it, but this one hits home. The warmth of this record renders any skip, pause and stop buttons superfluous for about 40 minutes. I’m not sure he’s credited, but I think I can detect “Mr Krall’s” vocal harmony on the track Wide River To Cross. It deserves to be the hit album of the winter, and if it doesn’t win a grammy , I’ll eat my sandwich. Comes out next week in the UK, but in the meantime it can be streamed from here. http://totallyfuzzy.blogspot.co.uk/2012/10/diana-krall-glad-rag-doll-album-stream.html For my money this is the perfect autumnal album that can be enjoyed with or without the controversial accompanying imagery (see below). My vote is in the “with” camp.)

What does it all *mean*?:

The album has split opinion in the Jazz fraternity. Not for any musical ambiguities, but because of the album cover. A series of beautiful images taken by Mark Seligar inspired by the girls of the 1920’s Ziegfeld Follies has some of them fuming!

Goes well with …:

A quiet night in front of the fire with either a glass in hand or someone you love sitting close by. It's the sort of music that makes me wish I had a dog to stroke.

Might suit people who like …:

The Robert Plant & Allison Krauss combo or anyone who is struggling to get a foot in the door of Jazz. I can’t think of a more gentle introduction to the genre.

Mumford & Sons

Submitted by kb on 9 October 2012 - 2:53pm

What's it called?:

Babel

What does it sound like?:

You’ll know that Mumford & Sons are our latest sensation in the US and no-one on God's small earth surely predicted this when they were introduced to me on RadMac as the UK's Felice Bros. The success of album 1 means enormadomes and public V state chippiness and inevitable comparisons to Coldplay now that album 2 contains stadium-sized songs. And yet, Marcus Mumford can write an helluva tune: I Will Wait, Whispers in the Dark, Holland Road, Below my Feet all leapt straight out. Sure, it is choc-full of that kind of banal lyric so unpopular with music critics yet uncared-about by the general public. It has advanced from the first record by its production which uses that all-over-wash sound leaving individual instruments sometimes impossible to discern. So not perfect, but well worth its place in the best sellers list of 2012.

What does it all *mean*?:

That the most successful banjo-led group is no longer The Wurzels.

Goes well with …:

Friday night at Glastonbury 2013, I suspect.

Might suit people who like …:

Well I can hear James, Arcade Fire, REM, The Bad Seeds, yes Coldplay and an alcohol-free Pogues at times.

Reverb, reverb - brilliant surf guitar Bowie covers

Submitted by Lando Cakes on 7 October 2012 - 2:46pm

What's it called?:

Ziggy Played Surf Guitar

What does it sound like?:

This is the latest CD from that cottage industry of idiosyncratic genius, Cordelia Records. Various surf instrumental bands have been asked to cover one of David Bowie's songs, to often stunning effect. The quality here is uniformly high, with a range of original interpretations and styles. Surfer Jet City by The Pterodactyls rocks like a bastard, while at the other end of the spectrum, the Bowbridge Band's slowed down lounge version of Let's Dance is a treat. The Thurston Lava Tube's version of Ziggy Stardust is ace, with some groovy organ and the TommorowMen's Moonage Daydream weaves in a bit of Wipe Out? All the interpretations are good though and like all the best covers say something new about the original. My only disappointment was the absence of Bowie's best number, The Laughing Gnome from the tracklist - but wait! It's there as an uncredited hidden track, complete with the best guitar solo on the whole album. Perfect.

What does it all *mean*?:

I am not Mr Bowie's greatest fan, his irritating, affected vocals and often absurd lyrics being somewhat off-putting. However, even I concede that he has some corking tunes - so what's a boy to do? This album solves that conundrum!

Goes well with …:

This album has been my constant companion on my drive to work for the last couple of weeks. It's made the car a little bubble of sunshine and joy through the sometimes appalling weather. I imagine it goes well with sunshine too.

Might suit people who like …:

Do you like to have yours spirits lifted by inventive, melodic, guitar-driven instrumentals? You do? Then this album is for you. Check it out at www.cordeliarecords.co.uk, where other delights await you.

A good old fashioned modern prog record (!?)

Submitted by johna_online on 2 October 2012 - 10:35am

What's it called?:

Storm Corrosion

What does it sound like?:

Well if the title of this piece is a bit oxymoronic let me explain. As a child of the 60s and early 70s I grew up with and loved to death the progtastic acts of the day. As the years and decades roll by whilst I will always remain fondly nostalgic I don't listen much to that style of music anymore. However I have of late been drawn to individual tracks by Porcupine Tree. Which bring me to this album which is a collaboration by PTs Steve Wilson and some guy from a Swedish death metal act called Opeth (oh my faint heart !) Anyway its all rather splendid (apart from the dreadful sleeve). The heavy riffage is kept to an effective minimum and the sound mainly focusses around atmospheric guitars, mellotrons and chilled rather spooky vocals mixed in with some modern ambience. Think of the good bits of say Lamb Lies Down, early 70s Floyd sugared with a bit of Sigur Ros and even Spirit of Eden and you wont be far wrong. It's also a concept album (bless) but I havn't a clue what it's about.

What does it all *mean*?:

Modern prog is clearly capable moving forward and keeping relevant whilst nodding respectfully to its legacy. Steve Wilson is a talented boy (as no doubt is the Opeth chap but I don't feel the desire or need to explore his back catalogue.)

Goes well with …:

This is a great headphone jobbie - worked particularly well whilst walking the hound in the country on a still, grey autumn morning but would no doubt also suit 'a quiet a night in' with a small glass of something.

Might suit people who like …:

Late Peter Gabriel period Genesis; Meddle; the less frentic bits of Crimson; David Sylvian; more modern artists like Marconi Union and Sigur Ros. Also those who simply appreciate some really well played and thought out songs and arrangements.

Van Morrison

Submitted by Burt Kocain on 1 October 2012 - 2:56am

What's it called?:

Born To Sing: No Plan B

What does it sound like?:

Van Morrison. Which is a relief. His vocal chords are still unshredded, his touching and dogged persitence at saxophony is starting to pay off (it's a stone delight - the man has a signature tone), and the muse shared a pint or two with him during the making of this album. The man's had more forms than the benefit office - and this is assuredly a return to one of the better ones. There's some finger-poppin' grooves here, mainly leaning towards the jazzier end of R n' B, and some Actual Songs. Plus a joyously gritty blues. There's a sense of him having sat down and worked at this one, rather than just trusting to his genius like the idle slob does all too often. Beautiful ensemble playing - as good as he's ever had. It's not the bring-the-house-down swing of his Fat Elvis years, but it's not the morose down-the-allotment poeticals he's prone to either. This is a good one.

What does it all *mean*?:

It means the crotchety old bastard is *still* capable of making good records. Praise the lord and pass the biscuits.

Goes well with …:

his back catalogue, surprisingly.

Might suit people who like …:

his good stuff, and got a little tired of him treading water for so long. (BTW, this: "The specified file Front.jpg could not be uploaded. The file is 159.3 KB exceeding the maximum file size of 150 KB." - was a bit of a headscratcher!)

The Beauty Room

Submitted by Burt Kocain on 30 September 2012 - 3:56am

What's it called?:

Uh ... "The Beauty Room II"

What does it sound like?:

1974. This is a surprise. It's fucking lovely. Won't smack you upside the haid first listen, but it's infested with devious earworms that make replays addictive. Basically, we're talking mid-tempo smooth here, a genre that can turn into sludge very easily. TBR manage to hold your attention with great chords, *harmonies!*, lyrics that don't sound too stupid or too smart. Subtle stuff. It's not a knowing, ironic take on smooth pop, either; hearts are worn on sleeves. There's *real* arrangements, *real* singing, and some very impressive studio chops going on. Occasional strings. A Traffic tune! Nicely inflected vocals, somewhere this side of mid-atlantic, democratically arranged - no standout solo vox. Nothing retro about it, it's timeless, although the type of music it sits happily next to is definitely mid-seventies.

What does it all *mean*?:

It means you'll want to search out their first album, where their influences are occasionally a tad too evident, but it's still another lovely piece of work.

Goes well with …:

Steely Dan, Alessi Brothers, the merest hint of Tears For Fears (in a good way), wooden decking, jeans and tee, light breeze ruffling the hair, a blonde stretched out along the bench seat of a T-Bird, or failing that, a park bench.

Might suit people who like …:

Kwalidee music for today people. Lifestyle afficionados. Java aesthetes. Or just ordinary slobs who enjoy a nice record.

The Vaccines

Submitted by Dave Amitri on 25 September 2012 - 10:48pm

What's it called?:

Come Of Age

What does it sound like?:

The Vaccines are back trying to sound less like The Ramones and taking their foot off the accelerator a bit. With elements of Adam and the Ants, The Darkness and hints of Rolling Stones (yes it's definitely in there) this is a less manic effort and none the worse for it. The singles "No Hope" and "Teenage Icon" are radio friendly pop rock songs that will get in your head and never leave. I would even say "Teenage Icon" is the best of it's kind since The Arctic Monkeys debut, lyrically clever, funny, self deprecating with a drive and verve that doesn't let go, my favourite song of the year. Hints of Shadows guitar, Beach Boys falsetto and a song called "Ghost Town" complete an album that is immediately installed as one of this years best and shows these Vaccines are the sort taken with a lump of sugar not some bloody great needle. Maybe not for this site but The Vaccines are not one album wonders, the kids think they are amazeballs and I absolutely love them and this album, give it a go

What does it all *mean*?:

Fun, loud, brash, rock music never dates. Different bands come and go but each generation will have their favourites and The Vaccines have produced another album that will stand the test of time for this one, whether we like it or not.

Goes well with …:

A smile and an open mind

Might suit people who like …:

Rock music of the last 40 years

Aimee Mann

Submitted by TripF on 24 September 2012 - 1:50pm

What's it called?:

Charmer

What does it sound like?:

After the electric guitar-free 'Smilers', Aimee Mann sounds more plugged in than she has in years. Much of this is down to band member Jamie Edwards, laying fizzy new wave synths and elegant guitar solos. The subjects are the same tart fare as ever - the emotional punchbag of 'Labrador', the partner of the unstable girl from 'Crazytown' and the hopeless, damaged hoarder of 'Gumby'. Mann's take on dysfunctional in its many forms always gives a few zingers: in the wonderful, epic 'Soon Enough' the payoff is 'What's more fun / Than other people's Hell'. Her bitter proganist of 'Gamma Ray' is told 'There's some weakness you can't forgive / And from that, you've been turned into a monster'. With each album, Aimee Mann's albums take longer for me to get into but always repay the faith - after my initial indifference 'Smilers' is now one of my favourites and 'Charmer' is already growing fast. This is involving, elegant pop music.

What does it all *mean*?:

The acid-lyrics-plus-powerpop 'Leonard and McCartney' method isn't just for guys like Neil Finn and Ben Folds.

Goes well with …:

A reflective night in on your own, perhaps cooking or doing something creative. Not great for post-breakup mooching unless you crave that catharsis.

Might suit people who like …:

The aforementioned new wave of the Cars and Split Enz, and the lyrics of Joni and Ben Folds.

Ulver

Submitted by Fatima XBerg on 22 September 2012 - 11:23am

What's it called?:

Childhood's End

What does it sound like?:

The unreliable Skandinavian Black Metal band (they made a folk album, an ambient album, etc.) has made a covers album of psychedelic sixties songs. From The Byrds' 'Everybody's Been Burned' to 'I Had Too Much To Dream Last Night' via tracks by The Pretty Things, Troggs, Curt Boettcher, Gandalf and Music Emporium, this is amazing stuff - a cinematic, heavy sound, full of ringing, melodic guitars. At times it reminds me of Bowie's 'Pin-Ups' band, with Steven Wilson on guitar instead of Ronno.

What does it all *mean*?:

Psych still rules OK

Goes well with …:

'The Nile Song' by Pink Floyd, Bowie's 'Toy' album and his cover of 'Pictures Of Lily'

Might suit people who like …:

Porcupine Tree and The Church

Toy

Submitted by Dr Volume on 18 September 2012 - 2:30am

What's it called?:

Toy

What does it sound like?:

I've heard Toy unfairly regarded as a 'hype band' from some quarters. Yes they're mates with The Horrors, yes they have preposterous haircuts, yes they're been all over the music papers and yes they used to be in the awfully named Jo Lean and The Jing Jang Jong. The fact is, the hype is justified because they're really bloody good and this solid, self assured eponymous debut is an absolute corker. The music is steeped in swirling, psychedelic Motorik rock but with a definite pop edge to it that sets it apart from...well other swirling, psychedelic rockers. The record takes a few listens to sink in, and some of the tunes take their time to get going, check 'Dead and Gone' which doesn't seem to go anywhere until it explodes into joyous guitar fireworks 5 minutes in. There is a lot going on here, string laden swooning pop songs (My Heart Skips a Beat) and heavy instrumental freak outs (Drifting Deeper). Stream it here: http://soundcloud.com/toy_band/sets/toy-toy

What does it all *mean*?:

Tom Dougall the lead singer has shorter hair than the rest of the band, and could do with giving it a bit more oomph on the vocals. The longer haired members of the band need to rough him up a bit I reckon.

Goes well with …:

Black nail varnish, Snakbite & Black, Patchouli oil, tatty leather jacket, heavy vibes, badly filmed video running through some daisies, preferably in Super 8.

Might suit people who like …:

The Horrors, My Bloody Valentine, Stereolab, Krautrock, Psychedelia, 80s Indie Music.

A homemade loaf of bread

Submitted by James Blast on 17 September 2012 - 2:29pm

What's it called?:

Well actually it was a morning

What does it sound like?:

It doesn't make a noise but it smells great Since I retired a year last May I've been threatening to make a loaf but never got round to it. A month ago I assembled all the ingredients but work on the house scuppered any attempt. Finally I had a clear morning with the Mum out the house, just me and Wish You Were Here blasting away. Measured out all the bits n' bobs then got stuck into the mixture. Took about5 mins for it to coalesce into the stuff I'd seen Delia do, from there on in it was plain (snort) sailing. Kneaded it from Have A Cigar to the very end of Shine On You Crazy Diamond pt.IX, bunged it in a greased bowl, covered it in clingfilm and left it in the boilers cupboard for 45mins. Into a baking tin, into a preheated oven, 230c for 15mins then 200c for another 15mins. RESULT! I'd advise everyone to try it, it really is dead easy and, tastes gorgeous and makes yer house smell lovely.

What does it all *mean*?:

It means I'll do it again and again until I've refined my own recipe.

Goes well with …:

The Pink Floyd

Might suit people who like …:

Fresh bread, home baking

ZZ Top

Submitted by mojoworking on 17 September 2012 - 1:43am

What's it called?:

La Futura

What does it sound like?:

ZZ Top's first studio album in nine years (and their debut for Rick Rubin's American Recordings) is not so much a return to form as a continuation of what they've been doing for decades: monstrously heavy blues and boogie, with a guitar sound to die for and a production so thick you could almost carve it. Opener 'I Gotsta Get Paid' sets the tone and from there the monster riffs tumble over each other and jostle for position until 'Have a Little Mercy' closes proceedings just a shade under 40 minutes later. Perhaps the songs are not quite as strong as the halcyon days of 'Eliminator' and 'Tres Hombres' but the playing and the overall sound certainly are. This is old school heavy blues rock with 21st century production values. The running time is concise by modern standards, but 'La Futura' is just about as long as any LP needs to be, which is a good thing. And make no mistake, this album is very good indeed.

What does it all *mean*?:

Time moves slowly in the world of ZZ Top and Rubin's compressed production aside, this album could have been made at any time in the last 35 years. Billy Gibbons' Les Paul is nicknamed "Pearly Gates" and on some of the solos here it's easy to see why

Goes well with …:

The rest of the ZZ Top catalogue, a bottle of tequila and a BBQ out on the patio.

Might suit people who like …:

ZZ Top sound like no one else, but this might also appeal to fans of current blues rock poster boy Joe Bonamassa. There's a little of what John Fogerty is doing these days in there, too.

Kirsty MacColl - First 4 Albums

Submitted by dogfacedboy on 12 September 2012 - 11:55pm

What's it called?:

Desperate Character \ Kite \ Electric Landlady \ Titanic Days

What does it sound like?:

Over ten years after her tragic death, Kirsty's catalogue is getting an overhaul with added extras to tempt the faithful. Her first album 'Desperate Character' is appearing for the first time on CD. Its a little unsure of itself with a few covers but the promise is there. 'Kite' is where she found her voice - its a wonderful record full of the wit, anger and tenderness that attracts me to her music. 'Fifteen Minutes' and 'Free World' are social commentary without being preachy. Her collaborators Steve Lillywhite and Johnny Marr perfectly compliment her awesome melodies and harmonies. 'Electric Landlady is coloured by its times with the single 'Walking Down Madison' dancing very much a late 80's baggy dance beat. 'Titanic Days' is her most overlooked and (as is always the way) most interesting album with 'Soho Square' 'Bad' and the title track achingly honest. Beautifully packaged with extensive notes - the perfect way to explore her and get past the non "hits".

What does it all *mean*?:

It's tragic that she produced just one more album after these reissues. Kirsty's songs only met with public taste in the mouths of others. Pale imitations fade - Kirsty's talent only shines brighter by the year

Goes well with …:

Sucking a thoughtful tooth, a laugh, a dance, a drink, some chips, a sinking ship, you and me baby, walking down Madison. songs you'll remember all your life and with a hand on your arse in a Spanish bar. I wouldn't tell you, if I didn't care

Might suit people who like …:

Singer-songwriters with biting wit, a heartbreakingly honest unique voice. Each album is different and within is great variety. Like a true artist she was constantly exploring and excited by the new. Not just for Xmas (songs) but for all time

Collegium Vocale Gent

Submitted by Handsome P. Won... on 4 September 2012 - 3:32pm

What's it called?:

Victoria: Officium Defunctorum

What does it sound like?:

Imagine a warm summer's day in the English countryside. All of a sudden an Angel appears before you. He/she is the most beautiful creature that you have ever seen. The Angel tells you that everything is going to be alright as he/she lays you down in the warm shade of a large oak. His/her hands caress you gently from the tips of your toes, up your legs and chest until they reach your head. You are completely relaxed and very happy. Then, just when you think you couldn't be any happier, the Angel's hands reach into your head and start to massage your brain. That's what this record sounds like.

What does it all *mean*?:

I know there's a sizeable constituency of classical music lovers in the Massive and I represent the the Choral Music (Sacred) sub-group. I don't pretend to be an expert on Sacred Music, but I knew from the first listen that this was special.

Goes well with …:

I find this is the thing to listen to when I need to chill out. I strap on the noise-reducing headphones and it only takes a few minutes before I'm in another place (this is usually literally true, as I listen a lot on the train).

Might suit people who like …:

to be quiet occasionally.

Animal Collective

Submitted by Dr Volume on 4 September 2012 - 1:02am

What's it called?:

Centipede Hz

What does it sound like?:

Pre-publicity suggests they've recorded this in a more 'live' setting, and it shows, although there is no shortage of electronic instrumentation and sampled loops you get the sense you're hearing the vocals, percussion and guitars reacting to the electronics rather than being layered on top of them. The Beach Boys harmonies are all present and correct, and these are constantly fluctuating and restless songs that veer all over the place with enough chord changes and time signature fluctations to keep Prog fans happy, and amid the usual clatter and madness plenty of pop hooks and sweet melodic moments. Nothing quite reaches the giddy heights of Brother Sport or My Girls from the last album. Some of the songs are difficult to grasp on first listen, which suggests this is one that will reveal itself with repeated listens and there are more than enough intriguing moments and odd little melodies that will ensure I'll have it on heavy rotation.

What does it all *mean*?:

My musical 'era' has seen countless bands try and marry dance and rock music but few (maybe Primal Scream) have approached it the way AC have by harmonising those two elements in a seamless way to create something entirely new.

Goes well with …:

This is one that requires some proper attention, so headphones on and preferably a walk or a train journey or maybe just switch all the lights off and like..get into it!

Might suit people who like …:

Hard to say but...Beach Boys, Grizzly Bear, Deerhunter, Ariel Pink, Gentle Giant, Super Furry Animals, My Bloody Valentine, J Dilla, MadLib, Beck. Oh and check the unexpected sample of the Radio One jingle for DJ Johnnie Walker....

Nik Kershaw

Submitted by Raymond on 30 August 2012 - 7:42pm

What's it called?:

Ei8ht

What does it sound like?:

Crafted middle-of-the-road pop music might not be everyone’s cup of tea, but Kershaw’s melodic gift is such that these songs work their way into your head very quickly, then stay there. The current single ‘The sky’s the limit’ would be a huge hit if Take That recorded it, while ‘You’re the Best’ is reminiscent of Jellyfish in the way that it is built around a chorus so absurdly catchy that you think he must have stolen it from an old playground chant. ‘Stuff’, an observation on rabid consumerism, has echoes of Ray Davies, while ‘The Bell’ is a beautiful acoustic piece in which he describes the images he’ll have in his head when the Grim Reaper comes calling. Self-deprecating humour is never far away and ‘If I ever get like that’ is a jaunty little take on the notion of old pop stars on the comeback trail. If we lived in a world that could comfortably accommodate a singer in his fifties having hits, several of these tracks would have ‘single’ written all over them.

What does it all *mean*?:

That a pop star can evolve and grow older with dignity, grace and humour. Here’s an artist who has gone past the point of worrying about where his music fits in. He’s just writing lovely songs and enjoying life.

Goes well with …:

A late-night mug of cocoa. Or singing along in the car. Or thinking to yourself: ‘ooh, that’s a nice chord change’.

Might suit people who like …:

It would all sound good on Radio 2. If you like Crowded House when they focus on the melodic jugular, or if you like Aimee Mann but wish she would lighten up a bit, this might be up your street.

Ry Cooder

Submitted by mojoworking on 30 August 2012 - 3:16pm

What's it called?:

Election Special

What does it sound like?:

Would you vote for a man who drove for 12 hours with his dog strapped to the roof of his car? Thankfully you probably don't have to. But at least half of the Americans who are registered will cast their vote for Mitt Romney this year. It's a scary prospect and one which Ry Cooder has clearly given much thought, with the opening track here written from the hapless hound's viewpoint. As the U.S. heads towards the November bunfight "Election Special" takes a look at the cesspit that is American politics. Cooder's albums are a cottage industry these days with Ry penning the songs and playing every instrument except drums, which are handled by his son Joachim. This is as good as anything he has given us recently with one rather large reservation: the lack of virtuoso guitar. These days fretboard histrionics are kept to a minimum but the songs, at least, are as powerful as ever. "Election Special" will win Ry few friends on the American right, but it will surely keep blues fans happy.

What does it all *mean*?:

Another year, another well-aimed, politically-charged Ry Cooder album. Last time out it was Wall Street with "Pull Up Some Dust And Sit Down", now it's Politicians. As always, Ry's aim is true.

Goes well with …:

Despite the overt political overtones, this is the real deal as authentic blues albums go and it sounds equally at home alongside John Lee Hooker or Johnny Winter.

Might suit people who like …:

Americana, old school blues and fine guitar playing.

Blur

Submitted by Chimney Singing... on 27 August 2012 - 12:08pm

What's it called?:

21 - Box Set

What does it sound like?:

Everything really, and in that sense, the true heirs to the Beatles. The breadth of material here is draw dropping, from the woozy boozy swirl of the 'Leisure' material, through to the bright colours of the 'Parklife' and 'Great Escape' material, the White Album perfection of the gorgeous 'Beetlebum' right through to the white noise Afrobeat of 'Music Is My Radar', a band that only repeated itself once and had a record out every 18 months. The B-sides and rarer material fill in the gaps and shows the band in all of its experimental glory, with Graham Coxon providing vivid textures that ensured they always sounded unique and wildly original but counterbalanced by Damon's superlative songwriting that always locks it to a wonderful melody. The range of styles is mind boggling but what is more fascinating is how much still sounds completely new and untethered to any influence at all. The band sound completely free to experiment whilst always anchored to top notch tunes. Sound familiar?

What does it all *mean*?:

It's interesting to listen to 'The Great Escape' anew - like 'Sergeant Pepper', it's a record that, if you want a guitar album, will disappoint you. If you can free yourself from that and enjoy the arrangements and instrumentation you'll be surprised

Goes well with …:

A Bank Holiday. There's 18 discs and three DVDs (sadly not including 'Star Shaped'). You need to really lose yourself in this and follow the bands trajectory through the eight years from 'Leisure' to '13' and fully appreciate this incredible band.

Might suit people who like …:

Top drawer song-writing, noise, melody, harmony, imagination, experimentation, masterful arrangements, diverse instrumentation and brutal chaos.

Elton John vs Pnau

Submitted by Raymond on 23 August 2012 - 8:39pm

What's it called?:

Good morning to the night

What does it sound like?:

I don’t know much beyond Elton's hits, so my enjoyment of this record is not hampered by previous knowledge of the source material. The whole thing is cleverly done; in fact, given that some of the pieces are assembled from 8 or 9 source tracks, it’s astonishingly clever in how it all hangs together. These pieces work as songs, with identifiable verses and chorus. Purists may think that the Pnau boys have taken some major liberties with the material, but they have created an album that is far from being an off-the-shelf collection of dance remixes. ‘Sad’ has already been a hit, with its mellow Balearic groove and cool chords, while ‘Telegraph to the Afterlife’ is chilled, gloomy and introspective, like Pink Floyd hanging out with Air. ‘Karmatron’ is a bizarre, electrifying triumph. It starts out like Mark Ronson scoring a spoof spy movie by way of Johnny Harris, before exploding into a chorus that the Chemical Brothers would donate a kidney to have been able to write.

What does it all *mean*?:

However folk choose to label this, it just sounds like great pop music and it probably means that we’ll hear more of this kind of thing. I wonder which other major artists would benefit from a similar 're-imagining' of their work?

Goes well with …:

Driving. Being middle-aged and pretending to yourself that you are down with the kids because your teenagers quite like the singles. Dropping words like 'chilled', 'trance' and 'Balearic' into the conversation with younger colleagues at work.

Might suit people who like …:

If you favour the likes of Groove Armada, Air and William Orbit, you’ll find much to enjoy here. It also makes you realise just how much of Elton's early 70s output must have been absorbed by Jake Shears.

James Yorkston and The Athletes

Submitted by ganglesprocket on 23 August 2012 - 8:32am

What's it called?:

I Was A Cat From A Book

What does it sound like?:

Imagine being in a cottage in Pittenween on the East Neuk Of Fife. It's late, it's raining. You've been up the hills. A log fire is on. You have a good single malt and a warm inner glow. You are throwing occasional glances at your significant other, but you are musing on both joys and sorrows. This album sounds exactly like that. This is a more melancholy and occasionally angry album than is normal for James Yorkston, he's had a rough few years and he sings about it, but it remains recognizably his work. The warm voice is in place, the completely excellent and dynamic arrangements are as imaginative as ever. No accoustic performer mananges to make music as dynamic as he does nowadays. This album is "more of the same except better," he hasn't reinvented the wheel, but this is no criticism. Some artists you just want to quietly get better, without changing. For ten years James Yorkston has done exactly that.

What does it all *mean*?:

I wish that James Yorkston would get picked up by Jools Holland. When so many accoustic mediocrities become hugely successful after an appearance on that programme, there is no one more worthy of Later patronage than him.

Goes well with …:

The single malt, log fire, cottage and significant other already mentioned.

Might suit people who like …:

John Martyn, Nick Drake, Sandy Denny and all of that sort of thing. He really is that good.

Bill Fay

Submitted by SteveT on 20 August 2012 - 7:15pm

What's it called?:

Life is people.

What does it sound like?:

I cant believe what I have just heard. I read the reviews of this album that raved about it and thought I would give it ago fully expecting it not to live up to the hype. I was so wrong. From start to finish this album is beautiful, uplifting, sad beyond words, elegiac, life affirming. Put in any adjective and it doesnt do it justice. 41 years since his last album if he has laboured on this for that long the time wasn't in vain. Symphonic pieces give way to just his wonderful voice and piano and the final song The coast no man can tell really is heartbreaking and I mean heartbreaking. I cant remember when I last heard an album this good. It should sell by the truckload but it wont - I can imagine many of the songs on this album helping a lot of people through troubled times. How good to be remembered like that.

What does it all *mean*?:

I am not religious but Bill Fay obviously has a deep faith that is both convincing and heartwarming.

Goes well with …:

life. This is a chronicle of a life - all of our lives in fact. This music needs to be heard. anyone who has lost family or lost in love even will be uplifted and that is a promise.

Might suit people who like …:

music. Nearest comparison if comparisons have to be made would be Blue Nile or Mickey Newbury. However it is deeply original and deeply impressive. Album of the year by some distance.

John Murry

Submitted by SteveT on 16 August 2012 - 9:48pm

What's it called?:

The Graceless Age

What does it sound like?:

Carthartic for starters. John Murry has had a pretty fucked up life - rehab at a young age and scrapes with the law and mortality since. In fairness this music is not bleak at all - it has an ethereal quality on many of the piano lead songs and there is much orchestration and samples. Chuck Prophet helps out with guitar duties and the final track The Thorn tree in the garden has you immediately hitting the repeat button. Lyrically it is raw and based on many of his personal experiences - it will take a few listens to get all of the lyrics but the snatches of conversation between some of the tracks suggests police arrests and other misdemeanors.

What does it all *mean*?:

The music is uplifting but in a mournful way if that makes sense - like coming home from work after a bad day and realising things aren't really that bad.

Goes well with …:

Reflective moments.

Might suit people who like …:

I recall much of John Grant in the first few listens - Lyrically stark but beautifully melodic piano. Some introspection too. Also Eels in the confessional tone and Mark Eitzel.

Congolese legends Rochereau and Franco

Submitted by Junior Wells on 13 August 2012 - 12:33pm

What's it called?:

Francophonic Vol 2 / The Voice of Lightness Vol 2

What does it sound like?:

Rochereau was the bookend to Franco. Of the same period, the latter could be raw and gritty the former could veer to cabaret. The latter was a guitarist foremost, the former solely a singer. These 2 compilations put out by Sterns in 2009 & 2010 are mainly from the high point of the Congolese sound ( 70s and 80s) and the remastering really has improved what was often some pretty bad sounding records. I've got a lot of their stuff and I applaud the selections. There are many common musicians on these as both band leaders would woo and woo back key musicians. The compilations have been lovingly put together by people who know the music and are highly motivating in the way the describe the songs, tell the history of the music and the questions they ask the surviving musicians. Best of all the booklet has large print like a record cover so even I could read it.

What does it all *mean*?:

For mine the Congo really is the musical giant of Africa - particularly over this period. This is uplifiting music and lord knows we all need some of that.

Goes well with …:

Cold beer , warm nights and some room to dance. Having said that this is sophisitcated music which bears concentrated listening as well.

Might suit people who like …:

Black music and who dont mind not understanding what the singer is saying.

Isles of Wonder

Submitted by ruff-diamond on 5 August 2012 - 8:23pm

What's it called?:

Isles Of Wonder - Music For The opening Ceremony Of The London 2012 Olympic Games

What does it sound like?:

An inspired and inspiring 36 track accompaniment to Danny Boyles' maginificently orchestrated opening ceremony. The opener, Frank Turner's 'I Still Believe' is - well, it's not bad, a little 'Waiting For The Great Leap Forward'-ish, but then... The childrens choral renditions of Jerusalem, Flower Of Scotland et al fade into the sound of waves washing onto the shore, Elgar's Nimrod swells up, then fades into the background as a familiar, somehow comforting litany emerges - "Tyne, Dogger, Fisher, German Bight...", and the room appears to be very dusty all of a sudden... Other highlights? The pounding, pulsing "And I Will Kiss", Mike Oldfield's inspired "Bells/Jubilio" mashup, Underworld's shimmering "Caliban's Dream", the coyly re-named "F" Button's "Olympians"...

What does it all *mean*?:

As Rob Fitzpatrick might say, I literally cannot stop playing this. I think it means that at this moment, I am truly proud to be a citizen of the Isles Of Wonder. Cameron's Britain is not my Britain - Danny Boyles' is.

Goes well with …:

Super Saturday!

Might suit people who like …:

Leftie multi-cultural crap.

David Booth

Submitted by Skirky on 30 July 2012 - 11:32am

What's it called?:

Find Our Way Back Home

What does it sound like?:

The sound of the thing is wonderful. If you'd told me he'd recorded it at The Capitol Building in Los Angeles I'd have had no reason to doubt your word - how much of this is down to the proprietal influence of one Nigel Stonier is a moot point, as Booth takes all the credit for production, as well he might - coaxing the sort of tasteful guitar commentary as evinced by the likes of Jerry Donahue out of sideman Andy Trill throughout and blending the shimmering acoustics and satisfyingly roomy-sounding drums into a warm whole. The keening vocals and layered harmonies hark naggingly to a familiar sound, but it isn't until half way through that you realise that you're listening to probably the best album Tim Finn never made. It's purely an accident of geography and chronology that means that Booth hasn't spent the last two decades being feted by the quality press as one of New Zealand's hidden gems, but then being from Matlock will do that for you.

What does it all *mean*?:

The music bears that tinge of world weariness suggesting that writing sessions started at four in the morning and only finished when the sun came up, washing through the fields, burning off the dew and silhouetting spiderwebs in the hedgerows.

Goes well with …:

Whisky and ginger, sunrises and melancholic reveries.

Might suit people who like …:

Crowded House. Armchairs.

dEUS

Submitted by spookydirt on 28 July 2012 - 5:51pm

What's it called?:

The Following Sea

What does it sound like?:

Yes, the (mostly) Belgians are still making music, a propulsive funky alternative rock that sounds more lively than a band formed in 1991 has any right to be. For the first time they sing in French (come back, it's only the one song). I don't know if it's the speed at which they recorded it, but this has a vitality that has maybe been missing from recent releases. The opener 'Quatre Main' is driving and dramatic, 'Hidden Wounds' has Tom Barman reciting a combat report over a churning fuzz-bass riff, which is better than that sounds. The songs are often linear, texture coming more from the dynamics and melodies than many chord changes. Like stadium rock for a very small, dark stadium. 'One thing about waves' is also worth a listen.

What does it all *mean*?:

This band has almost no profile in UK, I don't think they get played on the radio, but they are still going, still mutating, and still making pretty good music. That should be enough.

Goes well with …:

I don't have any to hand to test this, but beer might go well with beer (Hobgoblin?), and turning it up doesn't hurt.

Might suit people who like …:

Kent (rather good Swedish band), Previous dEUS albums

Frank Zappa

Submitted by Fatima XBerg on 28 July 2012 - 3:05pm

What's it called?:

12 Zappa reissues

What does it sound like?:

I just bought the first three releases from Universal's first batch of their Zappa Catalogue Reissue Project (there are 12 titles currently available - basically the first Mothers/Zappa LPs up to 1972). And very fine they sound, too - taken mostly from the original "analogue masters", so the maestro's fiddling with his classics is kept to a minimum.

What does it all *mean*?:

Mrs. Zappa promised that this time they'll get everything right. And apparently they did - and: the booklets reproduce every element of the original sleeves (in readable size!) up to the last detail.

Goes well with …:

...the other 48 reissues to come.

Might suit people who like …:

...to have a good-looking physical product on their shelves.

Sylvie Lewis

Submitted by Admin 1 on 27 July 2012 - 9:48pm

What's it called?:

It's All True

What does it sound like?:

A certain David Hepworth described Sylvie Lewis as "the sort of young woman young men hope to meet in art galleries". I'm not sure if Sylvie is tired of earnest young men, but this album is far more reflective and wistful than its predecessors. There's a nice range of musical styles - from the country of "Dylan's Arms" to the bossanova of "The Song I Sang Before I Met You" and her voice is, as always, beautiful, but I found it lacking the dry humour of her earlier albums. That quibble aside, repeated listens reveal a depth and quality to the songs.

What does it all *mean*?:

In a world of autotune, it's a pleasure to hear someone who can sing - with lyrics that are worth listening to.

Goes well with …:

A black and white movie on a wet Sunday afternoon, or curling up with a Barbara Pym novel or a book of poetry.

Might suit people who like …:

Nanci Griffith, Laura Cantrell, Isobel Campbell

Guillemots

Submitted by Admin 1 on 27 July 2012 - 9:39pm

What's it called?:

Hello Land

What does it sound like?:

Released without any fanfare this is, according to their website, the first of 4 releases this year. If the other 3 are of the same standard we are in for a treat. The last album fell a little flat but this is return to form. The musicianship throughout is of a very high standard. The album was recorded in Norway and the sound has a somewhat Arctic feel to it - a couple of instrumentals including the Finale I lie down are very atmospheric and another highlight is the acoustic Southern Winds with a wonderful vocal from Fyfe Dangerfield.

What does it all *mean*?:

I hate to use the word Progressive but in the seventies this would have been Progressive althought there are dance elements too. I think symphonic is a closer description of the feel.

Goes well with …:

An afternoon lounging on the sofa and a drifting into semi consciousness.

Might suit people who like …:

Upbeat Pat Metheny, Sigur Ros and the tuneful side of Mogwai

Cornershop

Submitted by Sid Coggles on 17 July 2012 - 12:00am

What's it called?:

Urban Turban - The Singhles Collection

What does it sound like?:

Now I’m not normally the sort of soul who gives much creedance to the musical recommendations of the great and good on my twitter feed. However, Graham Linehan (a master wordsmith) managed in less than 140 characters to give me the push to investigate this 2012 album for a band I have no knowledge of beyond the Fatboy Slim super-charged Brimful of Asha. Urban Turban is a collection of tracks that Cornershop released monthly to subscribers to their ‘Singhles Club’. Having investigated this platter through Spotify I was impressed enough to part with hard-earned capital for the physical product. Well what glorious grin-inducing fun with it all kicking off with ‘What Did The Hippie Have In His Bag?’ in collaboration with the Castle Hill Primary School (naturally). Loads of tracks of happy, dreamy, laid-back, meandering (in a nice way) songs that make the world seem a better place. Especially when played really loud in the car on another trip into the daily grind. A personal favourite is Beacon 303 which celebrates(?) Wolverhampton’s favourite ‘more music choice’(ha!) radio station formerly of the medium wave. Also, Inspector Bamba Singh’s lament with wonderful undulating Punjabi vocals from Amar. The summer’s coming. This is going to be my soundtrack for it!

What does it all *mean*?:

Goes well with …:

Might suit people who like …:

Lana Del Rey

Submitted by badger_king on 17 July 2012 - 12:00am

What's it called?:

Born to Die

What does it sound like?:

The epithet goes “don’t believe the hype”. Having heard the debut album from Lana Del Rey this evening, I have to say firmly, in this case DO believe the hype. For a major album on a major label to be peddled as a pop album on the back of a viral campaign and successful single is no big thing. It happens all the time. Seemingly more and more in the current record industry. However, it doesn’t usually happen with albums that are so out there and in places, sinister and beguiling all at once. Girls Aloud this is not. What is “Born To Die” then if not pop? In some ways it IS a pop album, albeit one much more aloof than what people have become used to. There are memorable tunes, simple songs about love, etc etc. For me, the lyrical content is not what enthralled me. What is instantly captivating about “Born To Die” is the beats. Yes, that’s right, BEATS. More similar to ’90s trip hop merchants such as Sneaker Pimps and Morcheeba, Lana Del Rey’s album is full of beats and strings, sweeping in grandiose arcs through a sepia tinged evening, summoning more of a lethargic groove than any of Del Rey’s current solo female contemporaries. Through the subtle power of “Video Games” or the All Saints / Massive Attack influenced half-spoken “National Anthem”, this is an album that I believe will bear repeated plays. I’m reviewing it on one listen and I’m mesmerised. I can’t remember the last album to really draw me in like that. It’s certainly been a while. Other highlights “Diet Mountain Dew” and “This Is What Makes Us Girls” follow the sparse beats and strings pattern but to stirring effect. Sometimes its nice to find something that genuinely appeals throughout. Ignoring the imagined controversy surrounding Del Rey’s image or background, it is refreshing for an album so widely publicised and marketed to actually justify its support. I for one hope her career continues as long as it can. For fans of beats, trip hop and late night grooves THIS is for you. Great stuff.

What does it all *mean*?:

Goes well with …:

Might suit people who like …:

Here We Go Magic

Submitted by Locust on 12 July 2012 - 12:00am

What's it called?:

A Different Ship

What does it sound like?:

I know I’ve mentioned this album once or twice in passing on the old blog, but I thought I ought to write a proper review to hopefully convince a few of you to make the investment – it’s well worth it! The album begins with a 50 second intro that sounds like a journey on the post-apocalyptic sewer that used to be the Amazon river. Unknown animals threaten from the surrounding darkness and a tribe of Afterword survivors are tweeting each other rhythmically on bongos. Usually these intros (and interludes, outros, hidden “hilarities”) only serve to annoy me, but in this case – because the rest of the album is so perfect, and the intro ties in with the ending of the last track – I don’t mind it. What follows is a string of beautiful melodies that always chooses the narrow and unexpected path over the well-trodden and safely mapped out route. Once you think you know where it’s going, it turns suddenly to show something exciting. This is uplifting grown-up pop that makes you feel intelligent by assuming that you are. It mixes the chilly and precise intellectualism of modern jazz and prog with the driving curiosity of a big warm beating heart. A lyrical theme of melancholy solitude and the leap of faith that it takes to bridge the distance between yourself and other people ties the nine songs together, Luke Temple’s voice is a stream of clear water, with a hint of altar boy at evening mass. Without really sounding anything like them I think of Steely Dan and the later albums by XTC when I listen to this, but I’m rather useless at finding comparisons so you may take that with a grain of salt… It’s the unexpected twists and turns of the music I guess. My favourite tracks are Hard To Be Close, Make Up Your Mind, Alone But Moving and the title track A Different Ship, ending the album. Mid-through that track we once again embark on that journey along the sewer, leaving the jungle behind us sailing towards open water. And then you press Play and take the trip one more time…

What does it all *mean*?:

Album of the year ? So far – Yes!

Goes well with …:

Might suit people who like …:

XTC, Steely Dan, Field Music

Thread Title
Indie Superfriends
Josh Rouse
Events in Woolwich
Marmite. In or out?
This evening, over crispy fried duck and a fine Merlot,
Daft Punk
Not a Real Doctor
This evening, after a week best described as poisonous,
Old rockers flogging plonk
Message follows.

Most Commented – Last 7 Days

Thread Title	#
Events in Woolwich	206
starts thread where every comment is between asterisks to denote wordless action	190
Slightly late but here now...Eurovision live blog	165
thread deleted - It's Berkshire	116
Marmite. In or out?	110
How can I boycott Google?	102
Gentle, gorgeous music to soothe a troubled soul.	98
Some Health & Safety Housekeeping	90
Footballers are lazy and overpaid. Perhaps.	86
ATM: Double glazing salespersons	79

Most Commented – Last 28 Days

Thread title	#
Events in Woolwich	206
The Worst Comedy Ever?	200
starts thread where every comment is between asterisks to denote wordless action	190
Nigel Farage gets a warm welcome in Edinburgh...	172
Dirty Word Thread Before The Mods Wake Up	167
Football, bloody hell!	167
The Greatest Footballers Of All Time	165
Slightly late but here now...Eurovision live blog	165
Roxy Music - Where did THAT come from?	139
Britain - How do I love thee? Let me count the ways.	132

Search form

Nights In

Advertisement

Navigation

User login

Recently Updated

Most Commented – Last 7 Days

Most Commented – Last 28 Days

Some Words from Kerry Shale

More links

The old guard